Tuesday, March 27, 2012

Graveyard Work by Dr. Corbeaux



The Bone Garden
The Cemetery in Hoodoo


The Cemetery is one of the practices that many new comers to Hoodoo are uncomfortable with. There seems to be an instinctive taboo in people to avoid "playing around" in the cemetery, with many explanations as to why. When I first started cemetery work, many years ago, I myself experienced that feeling of taboo....that I was doing something "wrong." But as I began to understand more of exactly what the cemetery is, both literally, metaphorically, and metaphysically, a whole new world opened up to me as well as a grand source of spiritual assistance.



 The cemetery itself can be seen as a macrocosm of the entire universe. All of creation is in constant flux - birth, preservation, and death. This can be seen in the cemetery, where all souls pass to the beyond. The flesh is dropped from the frame, as the old song goes, and the body returns to the earth from which it came.
 Out of the decay of the cemetery arises new life - the life of the spirit, removed from mortal bounds, as well as physical creation sprouting from the remains of the dead. The grass, the flowers, the trees, everything that grows in the cemetery, is fed on the essence of the dead. The animals that feast upon the grass, such as the rabbit, or the bird that feasts on the worm (which in itself, feasts upon the dead) are great sources of spiritual power.                                                         
The Rabbit is one of the best examples, as the true lucky rabbit's foot is the left hind leg of the graveyard rabbit.
The graveyard Snake, as another example, is reported to be the Devil himself, according to interviews by Niles Newbell Puckett in his magnificent work "Folk Beliefs of the Southern Negro." I myself have also heard similar things from practitioners in the south.
The Trees in a cemetery are some of the best gateways to the spirit world. A Santera of my acquaintance spoke of the Orisha Oya as being the wind in the trees of the cemetery. Maman Brijit in Haitian Vodou often has a sacred pile of rocks near a tree in the cemetery. 
Then there are many local stories, about powerful beings inhabiting the trees in cemeteries, especially trees which have been used as gallows. The trees feed upon the bodies of the dead, their roots reaching deep into the caskets. In practice, the following can be considered when working with trees in the cemetery:
- The largest tree in the cemetery, especially if it is in the center, is known as the "conjure tree."

At this tree, general offerings may be left to placate the spirits of the cemetery and branches and twigs from it (especially if fallen upon the ground) can be used with great efficacy in constructing dolls for ritual work. The bark of this tree may be powdered, and used as a sachet powder to link to the spiritual force of the cemetery. If the tree happens to be a pine for example (or any tree that produces a resin) the resin can be burned on coals as incense to call the dead. I suggest doing this outdoors in the cemetery itself, for obvious reasons. The leaves may be steeped in strong vinegar, with sulfur and red pepper, and sprinkle about an enemy's doorstep to cross them.
The roots may be carved into "fetishes" as well, and kept in mojo hands, to connect to the power of the cemetery. But before any of this can be done, you must know how to enter the cemetery properly. This is the procedure which I use, and have been taught:
- Knock on the gate of the cemetery. If there is no gate, knock on the ground before entering. Drop three pennies, and ask the Head Man (the guardian spirit of the cemetery, the first person buried in most cases, though in some older cemeteries, a dog was buried first, under the belief that the first thing buried in the cemetery had to stay around and open and close the gates for the other dead, until Judgment Day and could not move on to the afterlife.)
If you feel you have been giving permission, proceed, if you have not, then turn back. I usually receive the sign of the wind kicking up, giving me the okay to enter.
-Proceed to your work. If it involves a grave, you must knock on the tombstone three times and call the person's name, and bury a shiny dime (some say 3, others 7: the numbers vary practitioner to practitioner, but at least a dime) as payment for listening, and for any dirt you may take.
Speak to the spirit in the grave by name, tell them what you're asking for, and if it involves them going out to do something, take some dirt and explain you're going to sprinkle it on the target area where they are to act. If you're going to a tree, leave a coin, or pour wine, beer, whiskey, anything as an offering to the tree and the spirits who dwell within it. Knock on the tree trunk, to "wake up" the spirit or spirits within the tree. These procedures go for grass, plants, or anything else that may be in the cemetery.   

For animals, you must address the Head Man; as for the graveyard snake, you never kill it, as it is said to be the Devil and if you do, harm will come to you and you will never be able to work any hexes.

-When leaving the cemetery, you close the gate if you opened it and knock three times again. If there is no gate, you knock on the ground three times again. When leaving the cemetery, never look back under any circumstances.
Now if the cemetery contains such powerful spirits, then obviously there must be some danger, right? Correct, and that is what we will cover now.
-Why do we not look back when leaving the cemetery? The belief is that the spirits will then catch your eye and follow you home. Think of the all too common proverb (or cliche) "The eyes are the window of the soul." This is one reason the bluish/purple glasses are worn by many Low Country root workers, amongst other reasons.

-Many workers who are Catholic wear a blessed rosary around the neck, as a form of protection. Others wear a crucifix, and Protestants often wear a cross.
-Often individuals will do a "ritual cleansing" once they leave the cemetery. Some, inspired by Mexican folk magic, will use an egg, others Florida Water, Hoyt's Cologne, or Holy Water.

Some practitioners mix Holy Water with one of the aforementioned colognes. Some use incense. Whatever you use for cleansing, throw it back into the cemetery afterward, so you don't carry whatever negativity that may have attached itself to you, home. Also the "smell" of the cemetery is offensive to certain spirits you may work with, so cleansing it off yourself is best. When home, take a salt water bath.
-Sprinkling blessed salt all over yourself, and throwing it behind you is another way to keep things from following you home. But be cautious - if you're taking dirt to "send a spirit" then you don't want to do this. In fact, I would say if you're calling a spirit at all and bringing it with you by means of the dirt, wear the rosary and glasses, and do the bath afterward. Many practitioners won't bring the dirt home, but take it directly to the destination.

If you're a practitioner, and have no access to herbs, roots, candles, and what not, as long as you have a cemetery, you can accomplish anything. Build a relationship with the cemetery, and the spirits that dwell there. Adopt abandoned graves and tend to them - keep them clean, bring them flowers and offerings.
The abandoned grave is truly the Anima Sola (Lost Soul), though not all graves contain the original occupant. Love, money, revenge, uncrossing, obtaining a job - this all and more can be obtained through the cemetery. Here are a few examples:
-For Love: Find a couple that have been buried side by side, and invoke them for that purpose, and obtain dirt between the graves, where the hands would be, as if the dead were holding hands. This can be sprinkled from the home of your love, to your home, to bring them to you. It can also be placed within a mojo hand with name papers or personal concerns.

-For Uncrossing: Find a grave, and knock on the tombstone, etc. Speak to the person and ask them to remove the curse on you. Tell them you're going to pay them to do it, and offer them whiskey. Rub yourself head to foot with a branch of cedar and bury it.                                                                                                                                                           
-For a Job: Go to the conjure tree, and take a chunk of bark off for that purpose, wrap it around a name petition paper, spit on it, and place it within a green flannel bag for a job drawing mojo
-For Revenge: Find the grave of a murderer, or someone who died badly, and invoke their spirit. Throw the dirt where your target will come in contact with it. If you can put it in their jacket pocket, so much the better.

 I hope this gives you an idea of the spiritual treasury to be found within the bone yard, and will encourage you to explore further within the cemetery. Tread lightly, because every inch of ground you walk upon is infested with spirits. Be cautious, but most of all, respectful, and you'll be sure to obtain your desires.


-Dr. Corbeaux

                      

Friday, January 27, 2012

Doc Coyote's MONEY CONJURE KIT Video by Dr. Corbeaux



We are currently taking orders for Doc Coyote's Money Conjure Kit which includes a 2 ounce bottle of Doc Coyote's new batch of Money Oil.  This Money Oil has over 13 elements making up its potent concoction.  Each kit is a little different from the next but most include the items featured here in this Video.  The Money Kit can be your for a donation of $45 (which includes Shipping & Handling).  These were created for Friends, Family and Clients. There are only a few bottles of Money Oil left... so get it while its HOT!



WATCH VIDEO HERE
Click on Link Below >
http://youtu.be/HPynKlBwVWI




Money Drawing Lamp Video by Dr. Corbeaux


Tuesday, December 20, 2011

SOUTHERN GOTHIC REVIVAL REVIEW from AEA Zine

The Following Review was just released in the new Issue (#19) of Dave Wolff's AEA Zine out of New York.  Southern Gothic Revival was featured in the Premiere Issue of Southern Fried Hoodoo MagaZine this past year.

 
SOUTHERN GOTHIC REVIVAL s/t (Independent)

Review Haiku:
Hoodoo Voodoo Rock
Southern Gothic Revival
Hailz to S.G.R!

I am a huge fan of all things Southern Gothic and that goes for this band as well.            I'm always searching for things which have that dark, gothic, primitive, Southern feel, whether it be art, music, movies, books, etc. It’s great to see a project who knows how to pull together various aspects of Gothic Southern Culture and share it with the world by way of music and other forms of artistic media.
There are certain things I look for when critiquing music… It’s like viewing a diamond, seeing all the different aspects which make up the whole stone… the musician, the band, the musical composition, the overall sound, synchronicity, appearance, stage performance, etc. Some are shiny but have dark spots and flaws… bottom line… some are genuine… and some are as phony as a three dollar bill ya’ll.
So what’s my overall impression of SGR? Well, I see this multi-faceted diamond as the real Mc Coy… as being genuine... true blue, bono fide, Blues… Hoodoo Rock performed with flair and style with a great deal of originality and ingenuity that surpasses much of what is being passed off these days as Blues Rock or Jazz.
I stated in their Interview that their name, “Southern Gothic Revival” really personifies and describes their overall concept and feel rather well. There is a certain ambiance, a certain sound which resonates from this project that’s not pretentious or strained. It all seems to be very organic, like it’s simply a natural outgrowth stemming from their rich musical frame of reference.
One thing that really grabbed my attention and impressed me about SGR from the very beginning was their excellence in maintaining a consistent sound. Now, let me explain, lest you think I mean that all their stuff sounds the same… because it doesn’t. (For that’s a huge pet peeve of mine and I show no mercy when calling that spade a spade).
What I mean is this… they keep a diverse sound between tracks yet never lose their signature sound… and that’s not an easy task. You know how it is when you listen to a CD and you feel like it could be a mix tape yet it’s the same freakin’ band?! Well you won’t find that problem with their albums.
You’ve got to check out their videos too… the videos which accompany their music are not only very cool but also very befitting, in keeping with that whole dark, Southern, gothic atmosphere. Now, why am I making a big deal out of this musical continuity when I could be speaking in more specific terms about the great vocals, guitars, keyboards and percussions or the individual song content, etc?
Well, it’s the overall concept and sound that really grabbed me when I first began listening to SGR and it’s that conceptual sound and consistency that keeps me coming back for more!
If you are a fan of Southern style Gothic Hoodoo Rock and Blues and have a penchant for the deeper, darker side of artistic expression, then this band comes highly recommended. -Doc Coyote

Friday, December 16, 2011

SOUTHERN FRIED HOODOO ZINE & DEGE LEGG

CLICK ON LINK ABOVE PIC>>>


Fabulous Feedback! Riveting Review! An Understanding Heart tells all!

 I just received the most beautiful review for Southern Fried Hoodoo MagaZine...  Feedback like this is such a breath of fresh air and moments like these make all the labor seem so worthwhile.  What really spoke to me was not just the humbling praise which she so graciously bestowed upon us but I thought to myself, "It really goes to show that beauty indeed dwells within the eye of the beholder and that we really do get out of something what we put into it." 

Ka Seeker is obviously one of those souls which contains far more depth than the average.  And this so vividly apparent as we observe her outlook and perspective. So fresh and so full of potential... and what's so amazing is that this from the reading of a simple tome like SFH Zine, she was able to internally capture a vast landscape of experiential knowledge and then share that vision by way of a heart-felt Review. 

I knew from the outset that some people would briskly read through the Zine and then just simply place it in the basket beside the T.V. with the rest of their recent publications.  But I also knew that there would be some who would come to realize the underlying message behind the message (which is the heart of occultism in and of itself) and gather jewels which are buried within the spiritual walls of the Zine as well as use it as a catalyst to gather treasures which are unearthed from our own hearts and minds as the ideas within the Zine make way. 

I could go on and on... for this really sparked something within me... But for now I will just say Thank you so much Kasey for honoring us with your Readership and with such a wonderful testimonial... It's one thing to get this type of feedback from any Reader but especially coming from you this means so, so much.   Without further ado I now present to you a wonderful recap and review of Southern Fried Hoodoo:


If you're the type of folk that wouldn't bat a eyelash at Barnes & Noble's New age section, instead heading over to the dustiest bookstore in town in hopes of finding those spiral-bound gems, then Southern Fried Hoodoo may be for you! With SFH you get that handmade raw juju back into your life with inspiring firsthand interviews, field guides, and recipes straight from Doc Coyote and friends. Each article has a lot of juicy meat, keeping the reader's head churning for days. Hoodoo goes back to its "roots", literally and figuratively, to DIY (Do it Yourself) from scratch. Dig your own roots: research the history of your town, cultivate and prepare your own witchy tinctures, and don't be afraid to question the literature that's out there on let's say, the Hoodoo Devil for example. Why not speak with that devil yourself?

SFH is the first magazine of its kind that covers the blend of European and African folk magic. Only a few others across the globe are beginning to release such literature. I feel fortunate and blessed to connect to so many other practitioners who are putting in writing what has mostly been an oral-tradition. DC stays true to telling it like it is, without having to list a collection of third-hand incantations. Collecting and cataloging old facts has its merits, but reading in between the lines - the process of living this Hoodoo life - is what comes across to me well from the Doc.


As promised, SFH magazine also works well as an energized talisman on your altar space or carried with you. The book brought me a feeling of protection and grounding, simply as an object. I could feel the love that went into each varied article. I could feel how well Doc lives out his practice daily. Therefore to me, the magazine casts away stale-stagnant energies even by a glance of the cover. If you need a personal object of power to get into gear, to go achieve the dreams of your soul, then I would recommend it!


My favorite article was "The Bone Garden; The Bone Cemetery in Hoodoo" by Dr. Corbeaux, which answered some essential questions I've been pondering, about how to get started on respectfully working with the many powers and spirits of the graveyard. I was raised being told the graveyard was a private space that could only be visited by those in mourning. I wondered how to properly seek permission from the graveyard-folk to enter, if the style of graveyard work had any limitations on subject-matter, and how I would see myself in the context of the this work considering my usual style as a bright forest-faerie. I was livid when I learned I could work with the trees or animals within the gates, and not only the ancestors that rest there. I was amazed at the variety of archetypes that could be found in a graveyard - lovers, children, historical legacies, the spiritual guardians of these people, etc. Ahh, it was as if my memory were flooding back to me like a refreshing pool of spring water!! More puzzle pieces of my greater context as a human were being revealed.


Not only Hoodoo practitioners, but anyone may gleam some inspiration from SFH, as there are also personal interviews and on-site research on topics of music bands, art-crafts, or history people places and relics! I enjoyed DC's interviews with musicians, having never noticed how closely the ritual energies of bands are actually magickal operations! I also enjoyed his coverage of Hoodoo visual arts and curios, like Carolina Gonzalez's amazing Hoodoo Shop, (which is actually how I found out about this magazine. I have been following her artwork.) It is so nice to see all facets of Hoodoo in one place. Looking forward to even more ritual curiosities.


Thank you Southern Friend Hoodoo; Doc Coyote's Carolina Conjure for inspiring me and confirming me on my path. I am pleased to own this collector's item of conjure!!

Best Regards,
Kasey "Kaseeker" Robinsong

Wednesday, December 7, 2011

COYOTE CURES & CROSSINGS



Doc Coyote provides many services, some mentioned here and some not.
You may contact me via email to inquire about Services or Prices at: doc.coyote@yahoo.com

Generally I conduct Readings via the Divinitory Practice of Cartomancy. 

When it comes to Counseling or Conjuring I aim to fix whatever the problem and then some.  
It's my job to find out if someone has Crossed you or not.  The next step is I find out who the person is who has done the Crossing.  Then I find the Spell and Destroy it!  Then I Cure the Client.  The last step is optional and up to the Client... that is... we turn the Spell back on the Crosser and make it work against the perpetrator.


*And of course I have to state that any and all products or services provided are for Novelty and Curios purposes only.       I make no medical claims nor do I prescribe any form of medication to Clients or otherwise.                                                          Any and all products which are suggested or provided are for EXTERNAL use only.

I'm Doc Coyote and I approved this message.    

;-)